Save the date: COMMUNIA’s new policy recommendations to be launched on May 31st
…priorities for the decade to come. That process has now come to an end and we are looking forward to presenting the results publicly, in an in-person event that will…
…priorities for the decade to come. That process has now come to an end and we are looking forward to presenting the results publicly, in an in-person event that will…
…Commission in the difficult position to make sense of the input gathered throughout the previous six meetings and to outline a way forwards. Fortunately it seemed that the Commission is…
…in the meeting on behalf of Communia, which has observer status. We were particularly interested in the debate on exceptions for education. As Communia, we have until now focused our…
…get much worse than what is contained in the Commission’s proposal and that there is much work ahead when it comes to preserving the Internet as an open communication platform….
…of the possible harm to rights holders’. In practice, the combination of all these factors could justify the payment of a very low compensation, one that would still qualify as…
Today, we are publishing our 2022-2023 annual report that covers COMMUNIA’s activities between July 1, 2022 to December 31, 2023. This corresponds to the first reporting period for our structural…
…different works“) provides a legal basis for safeguarding transformative uses that are commonly referred to as User Generated Content. The COMMUNIA salon explored this possibility and discussed how Member States…
…This combined approach would provide even stronger safeguards than the Commission’s proposal, which hinges on the idea that it is possible to automatically differentiate between likely infringing and likely legitimate…
Communia organised the next edition of our virtual COMMUNIA Salons. This time discussions returned to the German implementation proposal for Article 17 of the DSM directive: On the 3rd of…
…compensation to the creators and copyright owners of those works. The IViR researched the non-commercial use of cultural goods online for two years. The results suggest that consumers are dissatisfied…